The latest Micro Four Thirds Lumix GH7 Mirrorless Camera from Panasonic, which now features ProRes RAW internal recording, 32-bit float recording with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs.Newly equipped with Apple ProRes RAW internal recording and 32-bit float recording for dramatic enhancements in the speed and quality of video production. There's no longer a need to adjust audio recording levels during shooting - with 32-bit float recording using the optional DMW-XLR2 adapter and internal recording of 5.7K 30p Apple ProRes 422 HQ and Apple ProRes RAW HQ. Improved AF performance with Phase Hybrid Autofocus by adding real-time recognition AF for Human/Animal/Car/Motorcycle/Train/Airplane. It has an improved 13+ stops of dynamic range boost despite its reduced cell size due to the increased number of pixels on the Micro Four Thirds sensor.5.7K30 ProRes RAW HQ footage can now be recorded internally on the camera via a CFexpress Type B card, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. The SD slot can capture up to 10-bit 4K120 footage.
When combined with the separately available DMW-XLR2, the LUMIX GH7 delivers the world's first 32-bit float recording, improving the quality and efficiency of the entire workflow. The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane. The Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real-time to create composite images with rich tonal range even in scenes with significant luminance differences.
In-body, sensor-shift, 5-axis image stabilization is obtained with a high-precision gyro-sensor and a stabilization algorithm. At all focal lengths, this stabilization technology offers 7.5 stops of deviance from the shutter speed dictated by the reciprocal rule. Electronic stabilization is available to those who accept the slight cropping effect it requires. Boost I.S. mode is the most extreme form of electronic stabilization, simulating a shot locked off on a tripod. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera. The Venus Engine's fast sensor readout limits the rolling shutter distortion to keep skyscrapers vertical when shooting from an automobile's action mount or to capture slow-motion footage of quickly moving objects. The GH7's ultra-fast Wi-Fi connection lets you pair the camera with your smartphone in three easy steps and transfers content seamlessly.
By using the separately available DMW-SFU3A Software Upgrade Key, users can use the ARRI LogC3, which enables color matching with ARRI's digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The GH7 supports unlimited recording up to DCI 4K at 60p with 4:2:2 10-bit sampling for pristine detail and depth in color grading.Panasonic recognizes the importance of shooting extended clips and has designed the GH7 to not have a maximum record time. There's no need to stop shooting due to overheating. 3D noise reduction is achieved by comparing three sequential frames, then automatically scrubbing the noise, which appears in only one of the three frames. In addition to internal recording to the CFexpress card, the GH7 supports 12-bit raw video output in 5.7K, DCI 4K, and Anamorphic 5.8K and 4.4K formats via HDMI when recording to Atomos Ninja V and V+ external recorders in ProRes RAW. Store up to 10 anamorphic lenses on the GH7 for quick swaps and ready-to-view, desqueezed footage. Images can be desqueezed in cinescope size. Magnification rate is also selectable from 1.30x, 1.33x, 1.5x, 1.8x, or 2.0x.
Simultaneous internal and external recording via the HDMI port broadens your options for redundancy and storage, particularly convenient when shooting live events over an hour long. Record in resolutions up to DCI 4K in 17:9 with a bit depth up to 4:2:2, 10-bit, and frame rates up to 60p, 50p, 30p, 25p, 24p. Time-lapse video interval capture is customizable for both shooting and playback durations, complete with exposure smoothing. Safety Zone Marker, Vertical Position Information, Center Marker Options, and Enlarged Live Display help keep your action properly oriented, centered, and in focus. The GH7 can stream directly via Wi-Fi, USB tethering, or wired Ethernet LAN. Choose your favorite streaming approach to share your latest in real-time. For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available. The high sensor readout speed reduces rolling shutter distortion. Shoot 75 fps with the electronic shutter and AFS or 14 fps with the mechanical shutter and AFS. With AFC, you can shoot at up to 8 fps with the mechanical shutter or 7 fps with the electronic shutter.
Manually select between several shutter modes depending on your needs: a mechanical shutter type, electronic front curtain type, electronic shutter type, electronic shutter type with noise reduction after shooting at a slow shutter speed, or let the camera automatically switch the shutter type depending on the conditions and shutter speed. The SD card slot records bitrates up to 600 Mb/s when using high-performance UHS-II U3 Class 10 SD cards. Both video and stills can be recorded and played back using an external SSD when connected via the USB-C port. This enables saving to larger capacity drives and working with media that are immediately compatible with most post-production workflows. The free-angle 3" 1.84m-dot LCD screen tilts toward the shooter, enabling high- and low-angle shots, as well as positions in tight corners that would otherwise be extremely difficult to properly frame and focus your camera. It features high contrast, high brightness, and high visibility even under strong sunlight. The body of the GH7 is engineered to keep out precipitation and dust down to 14°F. Despite its sealed design, heat dispersal is attained through an electric fan, heat sink, and frame that radiates heat away from the sensor, engine, and memory card.
To expand the flexibility of data transfers and remote control, wireless options are built into the design. Wi-Fi 5GHz and Bluetooth 5.0 enable the transfer of photos and footage to a cell phone, which can then be beamed to a news station. Updating the camera's firmware can be accomplished wirelessly via a smartphone. When prepping those cameras, save time and reduce errors by using the Lumix SYNC app to wirelessly match the recording settings. This camera provides options to connect to external devices. The USB-C port enables data transfers of 10 Gb/s, powers the camera, or charges the battery. A 3.5mm headphone jack is located on the side of the camera, above the 3.5mm headphone jack. On the front of the camera, a flash synchro socket doubles as a timecode in/out when using the included BNC converter cable.
The Leica DG Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. Lens from Panasonic is a 24-120mm equivalent zoom designed for Micro Four Thirds cameras. Designed in collaboration with Leica, this versatile lens utilizes four aspherical elements and two extra-low dispersion elements to deliver well-corrected, sharp image quality that is void of color fringing and distortions. Additionally, the durable metal body of the lens renders it splash, dust, and freezeproof to suit its use in trying environmental conditions. Four aspherical elements and two extra-low dispersion elements contribute to minimizing chromatic and spherical aberrations and various distortions in order to produce a high degree of clarity, sharpness, and color accuracy. Linear autofocus motor delivers fast AF performance that is also precise, smooth, and near-silent to benefit both stills and video applications.POWER Optical Image Stabilizer minimizes the appearance of camera shake for sharper handheld shooting, and also supports the Dual I.S. function for increased stabilization performance.
Panasonic GH7 Specs
Lens Mount |
Micro Four Thirds
|
Sensor Resolution |
Actual: 26.52 Megapixel Effective: 25.2 Megapixel (5776 x 4336)
|
Image Sensor |
17.3 x 13 mm (Four Thirds) BSI CMOS
|
Sensor Crop (35mm Equivalent) |
Crop Factor: 2x *Additional Crop Occurs in Select Video Modes
|
Image Stabilization |
Sensor-Shift, 5-Axis
|
Built-In ND Filter |
No
|
Capture Type |
Stills & Video
|
Exposure Control
Shutter Type |
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
|
Shutter Speed |
Mechanical Shutter 1/8000 to 60 Seconds Up to 30 Minute in Bulb Mode Electronic Front Curtain Shutter 1/2000 to 60 Seconds Up to 30 Minutes in Bulb Mode Electronic Shutter 1/32000 to 60 Seconds Up to 60 Seconds in Bulb Mode
|
Bulb/Time Mode |
Bulb Mode
|
ISO Sensitivity Range |
Photo 100 to 25,600 (Extended: 50 to 25,600) Video 100 to 12,800 (Extended: 50 to 12,800)
|
Metering Method |
Center-Weighted Average, Highlight Weighted, Multiple, Spot
|
Exposure Modes |
Aperture Priority, Auto, Manual, Program, Shutter Priority
|
Exposure Compensation |
-5 to +5 EV (1/3 EV Steps)
|
Metering Range |
0 to 18 EV
|
White Balance |
2500 to 10,000K Presets: AWB, Auto, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4
|
Continuous Shooting |
Mechanical Shutter Up to 14 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG) Electronic Shutter Up to 75 fps at 25.2 MP for up to 215 Frames (Raw) / 260 Frames (JPEG)
|
Self-Timer |
2/3/10-Second Delay
|
Still Image Capture
Image Sizes |
4:3 100 MP (11,552 x 8672) *Via In-Camera Pixel-Shift 50.5 MP (8192 x 6144) *Via In-Camera Pixel-Shift 25 MP (5776 x 4336) 12.5 MP (4096 x 3072) 6.5 MP (2944 x 2208) 5 MP (1920 x 1440) 3:2 89 MP (11,552 x 7696) *Via In-Camera Pixel-Shift 44.5 MP (8192 x 5464) *Via In-Camera Pixel-Shift 22 MP (5776 x 3848) 11 MP (4096 x 2728) 5.5 MP (2944 x 1960) 5 MP (1920 x 1280) 16:9 75 MP (11,552 x 6496) *Via In-Camera Pixel-Shift 37.5 MP (8192 x 4608) *Via In-Camera Pixel-Shift 18.5 MP (5776 x 3242) 9.5 MP (4096 x 2304) 5 MP (2944 x 1656) 5 MP (1920 x 1080) 1:1 75 MP (8672 x 8672) *Via In-Camera Pixel-Shift 37.5 MP (6144 x 6144) *Via In-Camera Pixel-Shift 19 MP (4336 x 4336) 9.5 MP (3072 x 3072) 5 MP (2208 x 2208) 5 MP (1440 x 1440)
|
Aspect Ratio |
1:1, 3:2, 4:3, 16:9
|
Image File Format |
JPEG, Raw
|
Video Capture
Internal Recording Modes |
ProRes RAW/ProRes RAW HQ 5728 x 3024 at 23.98/24.00/25/29.97/50 fps [1 to 4.2 Gb/s] 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [1.1 to 4.2 Gb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94 fps [121 to 454 Mb/s] H.264/MOV/MPEG-4 AVC 4:2:2 10-Bit 5728 x 3024 at 23.98/24.00/25/29.97 fps [1000 to 1900 Mb/s] H.264 ALL-Intra/MOV 4:2:2 10-Bit 4096 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] 3840 x 2160 from 1 to 59.94 fps [400 to 800 Mb/s] 1920 x 1080p from 1 to 240 fps [200 to 800 Mb/s] 1920 x 1080i at 50/59.94 fps [100 Mb/s] H.264 Long GOP/MOV/MPEG-4 AVC 4:2:2 10-Bit 4096 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] 3840 x 2160 from 1 to 59.94 fps [150 to 200 Mb/s] 1920 x 1080p from 1 to 240 fps [100 to 200 Mb/s] 1920 x 1080i at 50/59.94 fps [50 Mb/s] H.265 Long GOP/MOV 4:2:0 10-Bit 5760 x 4320 at 23.98/24.00/25/29.97 fps [200 Mb/s] 5728 x 3024 from 1 to 59.94 fps [200 to 300 Mb/s] 4352 x 3264 at 47.95/48.00/50/59.94 fps [300 Mb/s] 4096 x 2160 [150 to 300 Mb/s] 3840 x 2160 [72 to 300 Mb/s] 1920 x 1080p from 1 to 300 fps [20 to 200 Mb/s]
|
External Recording Modes |
4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps 1920 x 1080p at 23.98/24.00/25/29.97/50/59.94 fps 1920 x 1080i at 50/59.94 fps Raw 12-Bit via HDMI 5760 x 4320 5744 x 3024 DCI 4K (4096 x 2160)
|
Fast-/Slow-Motion Support |
Yes
|
Gamma Curve |
Panasonic V-Gamut, Panasonic V-Log
|
Recording Limit |
No
|
IP Streaming |
RTMP, RTMPS 1280 x 720 to 1920 x 1080 at 29.97p, 59.94p (4.0 to 16.00 Mb/s) RTMP, RTMPS, UVC/UAC 1280 x 720 to 1920 x 1080 at 25p, 29.97p, 50p, 59.94p (4.0 to 16.00 Mb/s) 3840 x 2160 at 29.97p (4.0 to 16.00 Mb/s) RTP, RTSP 1280 x 720 to 3840 x 2160 at 25p, 29.97p, 50p, 59.94p (4.0 to 50.00 Mb/s)
|
Built-In Microphone |
Stereo
|
Audio Recording |
MOV: 2-Channel 24-Bit 48 kHz LPCM Audio MP4: 2-Channel 16-Bit 48 kHz AAC Audio
|
Interface
Media/Memory Card Slot |
Slot 1: CFexpress Type B Slot 2: SD/SDHC (UHS-II) [U3/V30 or Faster Recommended]
|
Video I/O |
1x HDMI (Unspecified Signal) Output
|
Audio I/O |
1x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input 1x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output
|
Power I/O |
1x USB-C Input
|
Other I/O |
1x USB-C Data/Monitor/Tether/Video Input/Output (Shared with Power Input)
|
Wireless |
5 GHz Wi-Fi 5 (802.11ac), Bluetooth 5.0 Video Output, Audio Output, Control
|
Mobile App Compatible |
Yes: Android & iOS App Name: Panasonic LUMIX Sync/Lumix Lab Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, View Live Feed
|
Global Positioning (GPS, GLONASS, etc.) |
GPS *Via Connected Smartphone
|
Monitor
Display Size |
3"
|
Resolution |
1,840,000 Dot
|
Display Type |
Free-Angle Tilting Touchscreen LCD
|
Viewfinder
Type |
Built-In Electronic (OLED)
|
Resolution |
3,680,000 Dot
|
Eye Point |
21 mm
|
Coverage |
100%
|
Magnification |
Approx. 0.76x
|
Diopter Adjustment |
-4 to +3
|
Focus
Focus Type |
Auto and Manual Focus
|
Focus Mode |
Automatic, Continuous-Servo AF, Focus Lock AF Area Mode, Manual Focus, Single-Servo AF, Touch AF & Shutter
|
Autofocus Points |
Photo, Video Contrast Detection: 315
|
Autofocus Sensitivity |
-4 to +18 EV
|
Flash
Built-In Flash/Light |
No
|
Flash Modes |
Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Off, Slow Sync, Slow Sync/Red-Eye Reduction
|
Maximum Sync Speed |
1/250 Second
|
Flash Compensation |
-3 to +3 EV (1/3 EV Steps)
|
Dedicated Flash System |
TTL
|
External Flash Connection |
Shoe Mount
|
Environmental
Operating Temperature |
14 to 104°F / -10 to 40°C
|
Operating Humidity |
10 to 80%
|
General
Battery Type |
1x DMW-BLK22 Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 350 Shots)
|
Shoe Mount |
1x Hot Shoe
|
Tripod Mounting Thread |
1x 1/4"-20 Female (Bottom)
|
Material of Construction |
Magnesium Alloy
|
Dimensions (W x H x D) |
5.45 x 3.95 x 3.92" / 13.84 x 10.03 x 9.96 cm
|
Weight |
1.6 lb / 721 g (Body Only)
|
Panasonic Leica DG Vario-Elmarit 12-60mm f/2.... Specs